Browse Items (43 total)

This song describes the Dominican Republic’s social, political and economic situation. It can be used to discuss issues of social justice, poverty, social class and racial disparities, political corruption and foreign influence.

Officially written by a Northerner, this song was rewritten by Southerners and Northerners to support varied agendas. “Dixie” is symbolic of the Lost Cause of the Old South and Southern resistance to the Civil Rights Movement.

Forced disappearances were a key tactic of various dictatorships of the Americas. The song follows the story of a man and woman, ordinary people who have disappeared, and the fight their family engages in to try and locate them. The final stanza…

This song introduces the common Blues music themes of crossroads and collective suffering. Crossroads, high traffic vehicular roads, feature prominently as landmarks in the Mississippi Delta area that Johnson called home. In the song, Johnson tries…

The song could be used as an example of the loose narrative and references to the supernatural and/or folk beliefs often found within the blues genre. Though the song lacks a linear narrative, the collection of somewhat unrelated vignettes which…

This song can be used to discuss "Old South" or the "Antebellum South" nostalgia, which became a part of U.S. Southern culture. The song presents the story of an ex-slave who is longing to return back to their day on a plantation. The ideas expressed…

This song can be used to discuss "Old South" or the "Antebellum South" nostalgia, which became a part of U.S. Southern culture. The song presents the story of an ex-slave who is longing to return back to their day on a plantation. The ideas expressed…

Used in conjunction with the Himno Zapatista, which samples Carabina 30-30, this song is a way to show the ways in which the Zapatista movement invokes the memory of the Mexican Revolution.

Hugh Masekela, considered the father of South African Jazz, wrote this anthem-like song in 1986 with Nelson Mandela in mind. The lyrics, though few, call for the immediate release of Mandela (who was a big fan of Masekela) and for him to return home…

Sung from the perspective of a flood victim in Nashville, this song discusses floods, a common occurrence in Southern life and a common theme found in blues music. The song's release coincided with the notorious Great Mississippi Flood of 1927.