El Padre Antonio y el Monaguillo Andrés

Dublin Core

Title

El Padre Antonio y el Monaguillo Andrés

Subject

El Salvador
liberation theology
Catholic Church
assassination
time: 20th century

Description

The song describes the assassination of a popular village priest and altar boy, indirectly referencing the assassination of Bishop Óscar Arnulfo Romero, major figurehead of Liberation Theology. Romero's preaching of liberation theology sought to reduce the extreme socioeconomic inequality in El Salvador. Liberation theology was controversial within the Catholic Church and very unpopular with the Salvadorian elite, which controlled much of the nation's wealth. While it didn't spark the 12-year Salvadoran Civil War, Romero's death became a central aspect of the war.

Creator

songwriter: Rubén Blades

Date

1984

Rights

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Language

Spanish

Type

genre: nueva canción
genre: salsa
genre: latin jazz

Coverage

El Salvador

Alternative Title

Padre Antonio

Is Referenced By

Zien, Katherine A. "Staging Sovereignty and Memory In The Panama Canal Handover." In Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone, 149-83. New Brunswick, Camden; Newark, New Jersey; London: Rutgers University Press, 2017. Accessed June 25, 2020. www.jstor.org/stable/j.ctt1tm7jm0.12.

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